Alongside the advisory work, Nadeem Shakoor is a British Pakistani author whose fiction moves between the Chishti Sufi tradition of the subcontinent, the political history of Pakistan and colonial Punjab, and the tradecraft of the espionage novel. A qawwali sensibility (the pull of Nusrat Fateh Ali Khan, the Sabri Brothers, Aziz Mian, Fareed Ayaz & Abu Muhammad, the Wadali Brothers) runs underneath the prose even when the subject is a financial ledger or an intelligence file, because the questions are the same ones the qawwals ask: what is hidden, what is owed, and what survives suppression.
His novels are built from a small set of recurring convictions: that a civilisation's record goes underground rather than disappearing when its institutions are dismantled; that corruption, disappearance, and forced labour are one system rather than three; and that a dual identity (diasporic, operational, or theological) is a real condition to be inhabited on the page, not resolved for the reader's comfort. Chapters favour historically grounded detail, theologically rigorous sourcing from Ibn Arabi, Iqbal, Rumi, and Ghazali, and antagonists complex enough to make their own case.
The Price of Truth arc. A Captain in the Pakistan Army who resigns her commission to become an investigative journalist, Zebunisa Alam works six cases that open, one at a time, onto the deeper architecture of power behind Pakistan's headlines: disappearance, dirty money, and the deals struck in private rooms before the public vote ever happens.
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Ash Pervez, twenty-three, British-Pakistani, is deployed to Islamabad as an intelligence officer under the cover of BridgeTech Ventures. His mission is to trace the money shaping Pakistan's future. His discovery is worse: the UK isn't observing the transition. It's directing it.
In a city where MI6, the CIA, and Chinese intelligence share the same tables and trade the same secrets, Ash has to choose between the institution that made him and the conscience that defines him. Both choices cost him something. Only one lets him live with himself.
A trilogy built on the silsila, the unbroken chain of transmission at the heart of Sufi practice, tracing how a lineage of knowledge survives migration, rupture, and doubt across generations.
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Six novels spanning Mohenjo-daro, Mughal and colonial Punjab, the Timurid Silk Road, and the diaspora's Glasgow, each asking what a civilisation keeps, and what it is forced to hide.
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Three novels in the tradecraft register: le Carré's patience applied to Pakistani politics, financial architecture, and a scholar's slow awakening.
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For literary and press queries: author@nadeemshakoor.com